Światopogląd jako styl. „Klucze Piotrowe” Rogera Peyrefitte’a w przekładzie Hanny Szumańskiej-Grossowej jako ogniwo tradycji

The article’s starting point is the consideration of selected works Anatole France’s, André Gide’s and Guillaume Apolinaire’s, which over a hundred years ago would constitute separate trend in French pre-Vatican church. What differentiates criticism what known as ultramontanism from traditional anticlerical satire tone persiflage, irony theological erudition almost grotesque proportions. In 1950s, Roger Peyrefitte, diplomat satirist Vatican, was an outstanding heir to this stylistic thematic tradition. When translating his Keys St. Peter 1959, Hanna Szumańska-Grossowa had refer aforementioned author, who lived half century earlier, work out narrative her own based on achievements J. Sten (Anatole France), Tadeusz Żeleński-Boy (André Gide) Adam Ważyk (GuillaumeApollinaire).